Richard Wood Photographe / Nouvelle-Zélande
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Sonya Fu digitale art, spleen art – Visual artist from Hong Kong
“Art is a powerful visual language and creating art is a calming and therapeutic process. I would like to share with people my dreamscape, its beauty and its oddity. It might be an eerie creature, a whimsical scenery or a disturbed beauty who speaks words of wisdom – they are all embodiments of my subconscious mind. If my work manages to stir emotions and provoke thoughts, then I am doing the right thing as an artist – creating and conveying emotion.” says Fu.
3D Lenticular work – “So Close Yet So Away” (2015) at AP Contemporary’s booth, Art Busan 2015, South Korea
Sculptures digitales Adam Martinakis. Born in Lubań, Poland in 1972 and is of Polish and Greek descent.
Moved to Athens, Greece in 1982.
/ Imagining art being a bridge, a connection between the spirit and the material,
the living and the absent, the personal and the universal.
/ Exploring the unknown of light and darkness in a supplementary coexistence
that forms the event horizon of the creation.
/ Composing scenes of the nonexistence, the echo of the living void,
immersed in the metaphysics of perception.
Theatral photographer artist / Alexia Sinclair – Award winning Australian Artist and Photographer. Her distinct style is easily recognisable and highly original. Using a visual narrative to seduce her audience with each photographic feast, Sinclair’s art is dark and seductive, baroque and symbolic. Her multilayered photographs subtly present contemporary notions of fashion and beauty through innovative digital media, whilst restoring antique notions of classicism, elegance and luxury.
Asphyxia, carrément sublime !
Asphyxia is an experimental film project by Maria Takeuchi and Frederico Phillips that explores human movement through motion capture technology. Experimental project using Xbox One Kinect for motion data capture.
- Making of: vimeo.com/121436666
- Gallery: asphyxia-project.com/gallery
- Official website here asphyxia-project.com/
et le making of