• Christopher David White – Within Arm’s Reach – sculpture

    Within Arm's Reach - sculpture

  • Christopher David White – Ceramic wood Sculpture

    Christopher David White - Ceramic wood Sculpture

  • Christopher David White – All Mine3 – Sculpture

    Christopher David White - All Mine3 - Sculpture

  • Christopher David White – All Mine – Sculpture

    Christopher David White - All Mine - Sculpture

  • Christopher David White – All Mine – Sculpture

    Christopher David White - All Mine - Sculpture

  • Christopher David White – Going Hand In Hand2 – Sculpture

    Christopher David White - Going Hand In Hand2 - Sculpture

  • Christopher David White – Tipping Point – Sculpture

    Christopher David White - Tipping Point - Sculpture

  • Christopher David White – Going Hand In Hand – Sculpture

    Going Hand In Hand - Sculpture

  • Christopher David White – Alas, Poor Yorick3 – Sculpture

    Christopher David White - Alas, Poor Yorick3 - Sculpture

  • Christopher David White – Alas, Poor Yorick – Sculpture

    Christopher David White - Alas, Poor Yorick - Sculpture

  • Christopher David White – Alas, Poor Yorick – Sculpture

    Christopher David White - Alas, Poor Yorick - Sculpture

Beautiful ceramics that look like wood


Beautiful ceramics that look like wood of Sculptor Christopher David White (USA)

Christopher David White - Tipping Point - Sculpture

Christopher David White – Tipping Point – Sculpture

Ses sculptures hyper réalistes sont faites d’argile. A partir de moulages ou moulage – il reproduit la texture du bois dans ses moindres détails. Un vrai trompe-l’oeil :
«Je cherche à exposer la beauté qui résulte souvent de la pourriture tandis que, en même temps, je renvoie au spectateur leur propre perception du monde. »

« I seek to expose the beauty that often results from decay while, at the same time, making my viewer question their own perception of the world around them. To accomplish this, I begin by observing instances of decay within my surroundings that I find inspiring due to form, color, or texture. With clay as my medium of choice I then meticulously render by hand those elements, taking advantage of clay’s innate ability to mimic a wide variety of materials. I utilize trompe l’oeil as a stylistic choice to emphasize the concept that our understanding of the world is an illusion. The juxtaposition of natural and man-made features in combination with the skewing of scale, proportion, and material, helps in creating an altered perception – forcing the viewer to look closer. »

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