Tous les articles tagués italia

4 Articles
  • Silicone sculpture migrants – OVIS – 2015 by Santissimi
  • Silicone sculpture migrants – Self portrait – 2015 by Santissimi
  • Santissimi Hyper realistic Sculptures – EPAVE – 2016
  • Hyper realistic Sculptures Santissimi
  • Hyper realistic Sculptures Santissimi
  • Hyper realistic Sculptures Santissimi Santissimi – Mentalese -ATTO I – 2014
  • Hyper realistic Sculptures Santissimi Santissimi – Mentalese -ATTO I – 2014 2
  • Hyper realistic Sculptures Santissimi MOM 2016
  • Hyper realistic Sculptures Santissimi In Vivo – 2013
  • Hyper realistic Sculptures Santissimi In Vivo – 2013
  • Hyper realistic Sculptures Santissimi In Vivo – 2013
  • Hyper realistic Sculptures Santissimi In Vivo – 2013
  • Hyper realistic Sculptures Santissimi In Vivo – 2013
  • Hyper realistic Sculptures Santissimi In Vivo – 2013
  • Hyper realistic Sculptures Santissimi In Vivo – 2013
  • Hyper realistic Sculpture Santissimi Requiem 2012
  • Hyper realistic Sculpture Santissimi Requiem 2012
  • Hyper realistic Sculpture Santissimi Requiem 2012
  • Hyper realistic Sculpture by Santissimi – Requiem 2012
  • Hyper realistic Sculpture Santissimi – Natural History – AMBRA N°6
  • Hyper realistic Sculpture by artists Santissimi
  • Hyper realistic Sculptures Santissimi expo
  • Hyper realistic Sculptures Santissimi expo
  • Hyper realistic Sculpture by artists Santissimi
  • Artists Santissimi – portraits

Hyper realistic Sculpture by artists Santissimi

Hyper realistic Sculpture by artists Santissimi.
Duo d’artistes italiens Santissimi pour Sara Renzetti et Antonello Serra.

L’hyper réalisme décuplent le côté dérangeant de leurs oeuvres, tout comme dans  le travail de Patricia Piccinini.
J’ai hâte de voir une de leur expo, notamment les “tableaux” in vivo, ou l’on doit frôler le temps suspendu, la mort et l’avenir (la cryogénisation)…
Le travail du Santissimi considère l’art comme une exploration de formes plus ou moins complices : ” l’empirisme philosophique dans l’art “.
L’empirisme philosophique signifie mettre en pratique le savoir, effectuer une opération de pensée ou pour être plus précis : traduire en termes visuels, la pensée scientifique et philosophique.
Comme le philosophe analyse la connaissance dans sa conception la plus théorique, décrivant et analysant les formes de manière purement «techniques et intellectuelles», dans la poétique de Santissimi l’apparition de cette connaissance est mise en scène dans l’œuvre de l’art, traversant les mots et les jeux qui sont cachés derrière les formes de la connaissance.
Le poétique lui-même n’est pas visible, mais il émerge de l’attente, de l’attention, de la peur et du mystère “au-delà des frontières de la connaissance.”
C’est le processus que vous vivez dans l’œuvre du Santissimi, au travers de la révélation : l’attendu est vaincu par l’inattendu, agir correspond à «être et agir : être agi» et les joies de l’accouchement sont enfin la création de l’œuvre.

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The work of the Santissimi looks at the art as an operational machine in which to cross, staying, the forms more or less accomplices of the knowledge that reflected in the definition: “philosophical empiricism in the art“. Philosophical empiricism means putting into practice the knowledge, to perform an operation of thought, or to be more precise, translate into visual terms, the scientific and philosophical thought .
As the philosopher analyses the knowledge in its most theoretical, describing and analysing the more purely ‘technical-intellectuals’ forms, in the poetic of Santissimi the appearance of that knowledge is put on stage in the work of art, practiced in the work of art (a collection of potency and act), crossing the words and games that are hidden behind the shapes of knowledge. The poetic itself is never a poetic declared, but it emerges digging the poetics of the wait, the attention, the fear and the mystery “beyond the borders of the knowledge.”The process that you live in the work of the Santissimi, it manifests through the sign of the revelation, so that: the expected is defeated by the unexpected, take action corresponds to “be acted” and the joys of childbirth are finally the creation of the work. (Source EN : saatchiart)

 

Hyper realistic Sculpture Santissimi - Natural History - AMBRA N°6

Hyper realistic Sculpture Santissimi – Natural History – AMBRA N°6

 

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  • Gehard Demetz – Wood sculptures
  • Gehard Demetz – Wood sculptures
  • Gehard Demetz – Wood sculptures
  • Gehard Demetz – Wood sculptures
  • Gehard Demetz – Wood sculptures
  • Gehard Demetz – Wood sculptures

Gehard Demetz Wood sculptures

Gehard Demetz Wood sculptures (IT)

Gehard Demetz est un sculpteur italien. Il sculpte sur bois des enfants sur-élevés pour les amener au niveau des yeux du spectateur, ce qui donnent à ses sculptures un sentiment de puissance. Des objets très spécifiques leur sont associés, juxtaposée à leur innocence.
Ils semblent “inconstruits”, souffrants – ils me donnent l’impression d’avoir capitulé…

Gehard Demetz - Wood sculptures

Gehard Demetz – Wood sculptures

  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture
  • Fausto Salvi Ceramic sculpture

Fausto Salvi Ceramic

Fausto Salvi Ceramic (Italia)

Fausto Salvi Ceramic sculptures

Fausto Salvi Ceramic sculptures

  • Emanuele Dascanio Painter Artist – hyper realist painting
  • Emanuele Dascanio Painter Artist
  • Emanuele Dascanio Artist – the Father
  • Emanuele Dascanio Painter Artist
  • Emanuele Dascanio Painter Artist – leonardo
  • Emanuele Dascanio Artist -Allegory of the Sublime
  • Emanuele Dascanio Artist – O Fortuna – Charcoal on paper Schoeller

Emanuele Dascanio Painter Artist

Emanuele Dascanio Painter Artist. (Italia)

Emanuele Dascanio Painter Artist

Emanuele Dascanio was born in Garbagnate Milanese in 1983.
After graduating from art school Lucio Fontana di Arese, in 2003 he enrolled at the Academy of Brera painting section: having learned to live in an environment decadent for the same painting, leave after six months.
Continuing, however, to have the desire and the need for artistic growth, in 2007 I began the study of Gianluca Corona, finding in him a good teacher and learning the technique of oil painting.
He has participated in various competitions and exhibitions nationally and internationally, ranking near the top.
Emanuele Dascanio is a perfectionist, he has devoted much time to the study of artistic techniques and the search for continuous improvement in his skills as a painter, before embarking on the exhibition schedule.


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