{"id":7803,"date":"2014-09-21T13:15:30","date_gmt":"2014-09-21T13:15:30","guid":{"rendered":"https:\/\/www.lilavert.com\/blog_lilavert\/?p=7803"},"modified":"2014-10-30T12:51:22","modified_gmt":"2014-10-30T12:51:22","slug":"horses-sculptures-saone-de-stalh","status":"publish","type":"post","link":"https:\/\/www.lilavert.com\/blog_lilavert\/horses-sculptures-saone-de-stalh\/","title":{"rendered":"Horses sculptures of Saone de Stalh"},"content":{"rendered":"

Horses sculptures of Saone de Stalh<\/strong>.\u00a0(FR) n\u00e9e en 1984.<\/p>\n

Sculpteur-plasticienne, elle se consacre enti\u00e8rement \u00e0 un projet : la r\u00e9alisation de sculptures \u00e9questres monumentales.
\nLes sculptures de cette jeune artiste trouvent leurs racines dans les hantises secr\u00e8tes o\u00f9 prennent vie les mouvements naturels \u00e0 l’animal. La langue de la mati\u00e8re se lit surtout \u00e0 travers la structure de l’\u0153uvre : dans les mains de Sa\u00f4ne de Stalh le corps du cheval respire, instinct et imaginaire se rejoignent pour inventer un surcroit de pr\u00e9sence. C’est pr\u00e9cis\u00e9ment la combinaison de l’aspect de t\u00e9moignage et l’amour des formes puissantes qui est altern\u00e9e dans cette recherche abrupte, consciente, qui interroge l’homme sur son animalit\u00e9. Au cours de ce c\u00e9r\u00e9monial de cr\u00e9ation en clair-obscur, l’artiste permet \u00e0 la ligne de d\u00e9gager son incroyable force.
\nUne sculpture n\u00e9cessite addition de plusieurs techniques. Au commencement, il y a le bois qui forme grossi\u00e8rement la structure de l’animal. Les membres sont ensuite form\u00e9s gr\u00e2ce \u00e0 des moules en r\u00e9sine r\u00e9alis\u00e9s gr\u00e2ce \u00e0 une premi\u00e8re sculpture. Apr\u00e8s le bois et la r\u00e9sine vient le papier qui donne une forme plus r\u00e9aliste \u00e0 la sculpture mais c’est ensuite l’application de plusieurs couches de r\u00e9sine qui donnera la forme finale au cheval. Pour niveler l’ensemble, plusieurs heures de pon\u00e7age sont ensuite n\u00e9cessaires. La peinture donne alors la touche finale \u00e0 l’ensemble.<\/p>\n

Sa\u00f4ne Stahl is a French artist born in 1984 Sculptor-visual artist, she devoted herself fully to a project: achieving monumental equestrian sculptures. The sculptures of this young artist are rooted in secret obsessions that come to life the natural movements of the animal. The language of the material reads mainly through the structure of the work: in the hands of Sa\u00f4ne de Stalh, the horse’s body breathing: instinct and imagination come together to invent extra presence. It is precisely the combination of appearance and testimony of the love of powerful forms that alternates in this abrupt research, conscious, interviewing the man on his animal. During this ceremony on \u00ab\u00a0light and dark\u00a0\u00bb, the artist allows the line to clear his incredible strength.
\n<\/em>A sculpture requires addition of several techniques. In the beginning, there was wood that roughly forms the structure of the animal. Members are then trained through resin molds made through a first sculpture. After wood and resin comes the paper gives a more realistic shape to the sculpture but then the application of several layers of resin that will give the final shape to the horse. To level the set, several hours sanding are then needed. The painting then gives the final touch to the whole.<\/em><\/p>\n

Expo\u00a0<\/strong>:\u00a0HIP Galerie<\/a>\u00a0\u00e0 Paris du 20 au 28 novembre 2014 avec l’association ArAnima.<\/p>\n