{"id":4852,"date":"2013-12-08T22:08:04","date_gmt":"2013-12-08T22:08:04","guid":{"rendered":"https:\/\/www.lilavert.com\/blog_lilavert\/?p=4852"},"modified":"2016-01-23T16:02:17","modified_gmt":"2016-01-23T16:02:17","slug":"katharine-morling-fine-ceramics","status":"publish","type":"post","link":"https:\/\/www.lilavert.com\/blog_lilavert\/katharine-morling-fine-ceramics\/","title":{"rendered":"Katharine Morling Fine Ceramics"},"content":{"rendered":"

Katharine Morling Fine Ceramics<\/strong>. (England)<\/p>\n

\"Katharine<\/a><\/p>\n

Katharine Morling – Discovery<\/p>\n<\/div>\n

\u00ab\u00a0My work has been a personal narrative, which alludes to tales, dreams and nightmares. I bring my drawings alive in 3D. My work is often life-size or larger; a chair will stand a metre tall. The work has been of a domestic nature, taking inanimate objects such as chairs and layering them with emotion. As I build up piece by piece, I have created rooms with atmosphere where unexpected feelings arise from apparently mundane objects.\u00a0<\/em>
\nI work very instinctively, one piece leads to the next, I try not to pin down what I am doing or even why. I have to trust and believe that I can communicate through this medium.<\/em>
\nMy searching is never complete; each piece is a journey for answers that are only hinted at, with more questions.\u00a0<\/em>
\nI predominantly work in clay but use other materials when I feel it is necessary: glass, string, wood, raffia and mirror.\u00a0\u00bb<\/em><\/p>\n